Cirkus Cirkör's History

Cirkör is a play on the french words 'Cirque' and 'Coeur', circus and heart. Cirkus Cirkör started as a non-profit organisation in 1995. The first show, Skapelsen, premiered at the Stockholm Water Festival.

Cirkus Cirkör is today the largest circus company in Scandinavia, with shows on tour worldwide and circus training for people of all ages and backgrounds. Everything began when Tilde Björfors and a few artists who had fallen in love with contemporary circus took their first step towards the dream.

1995

The creation

1996

Chaos Gives Birth to Everything

1997

Kod XYPÅ

1998

Supercirkör

1999

00:00

2000

Trix

2001

Dom vuxnaMr Pain

2002

Romeo & Julia

2004

99% unknown

2005

Havfruen

2006

Da Da AitschMomo

2007

OdyséenOlika

2008

Inside OutÖsRöktDoverieTrippa Trappa Tvillingpappa

2009

Picnic

2010

Wear it like a crown

2011

Romanesque ArchesUndermänSagocirkus

2012

Knitted Piece

2013

Knitting Peace

2014

UnderartCircus for elderlyVariete vad ni vill

2015

Borders

2016

SatyagrahaLimitsHorisonter

2017

UnderMovementsCirkushoppet

2018

EpifónimaAquanauts

2019

God’s Disobedient RibBloom

2020

Fit in (Passa in)

2021

Circus Days and NightsPuffTangled

2022

Pippi at the Cirkus

1995: From dream to non-profit

There are hardly any reasons for contemporary circus artists to stay in Sweden in the early 90s. But after having organised a 24-hour festival at Orionteatern in Stockholm with 200 young artists and creators on stage, more and more people feel compelled to stay here and build something new.

The dream becomes reality when Tilde persuades some artists to stay in Sweden, and they start creating a show: Skapelsen (The Creation).

Skapelsen & Ur kaos föds allt

Skapelsen premieres in the Royal Dramatic Theatre's tent at Stockholm Water Festival in 1995. We are instantly welcomed into the international circus family thanks to the Australian circus group Circus Oz, who is the main guest act at the festival. They sent their audience to our stage and recommended Skapelsen to the great contemporary circus festival Tollwood in Munich the following year.

Artists in Skapelsen: Henrik Agger, Savanna Agger Forss, Johan Adling, Martin Bejting, Tilde Björfors, Rolf Brattström, Torbjörn Brokvist, Johan Edding, Magdalena Entell, Maja Forslund, Irya Gmeyner, Joel Jedström, Vidar Jedström, Siri Hamari, Minh Tam Kaplan, Nalle Laanela, Niklas Lindgren, Ann-Charlotte Lindqvist, Magnus Lundblad, Ylva Magnusson, Sebastian Melander, Miriam Rivera Godoy, Stefan Schöning, Annika Thore, Karl Stets, Jan Unestam.

Skapelsen evolved into our next piece when ten artists, six musicians, and two technicians developed the performance, and Skapelsen became Ur Kaos Föds Alt (Everything is born from chaos). We perform over 70 shows for sold-out houses over the whole country.

The next step is to build an organisational body. Together, the creators of Skapelsen founded the non-profit organisation Cirkus Cirkör. Cirkör’s objectives and statutes state the will to establish contemporary circus as an art form in Sweden, artistically and pedagogically, develop and increase the possibilities of contemporary circus culture, put Sweden on the world map of contemporary circus, and inspire and be inspired by young people and street culture.

1996: 40 000 want to train circus!

Following the touring, there is an increased demand for circus training. We arrange circus schools and open circus training at Stockholm House of Culture, and during six summer weeks over 40 000 visitors show up. After this summer we realise we are not the only ones missing the art form in Sweden. Cirkus Cirkör's passion for pedagogy has been alive ever since.

1998: Super Hero Success

Together with film- and music video director Jonas Åkerlund we nurture a common dream: a huge outdoors performance. With too small a budget, no staff and no backing from a production company, we decided to go for it.

Super Cirkör, Under the mighty Western bridge, opened during Stockholm’s year as the European Capital of Culture. Film shown on a giant screen, motorcycles, and 30 circus artists require a stage that does not exist in Stockholm. We cover the Western Bridge in canvas, build a giant grandstand, park caravans there for the international artists to stay in, and open the best bar that summer!

The venture is enormous, and bankruptcy feels impending more than once. But before the premiere, Jonas Åkerlund's music video for Madonna is released, and the show suddenly has the world's hottest director. The audience finds their way - every night, people flock under the bridge, and Cirkus Cirkör has become generally known.

Tightrope walking in a wheelchair

We started our first circus courses for children and young people with disabilities. This branch of activity grows and develops. Circus educators, who want to discover what every child wants and can do unhindered by prejudices, refuse to read the children’s diagnoses before the training begins. At first, this raises resistance amongst the adults closest to the children. But when a boy in a wheelchair starts tightrope walking, the scepticism amongst the adults disappears.

2000: A Home in Botkyrka

Cirkör replaces the city centre with the suburbs and moves to Alby! Northern Europe’s most modern circus halls are inaugurated with a circus carnival and ribbon-cutting by the Prime Minister. Cirkör House becomes our base and home, and we fill the house with circus. We accept the first class of students for a three-year contemporary circus programme at S:t Botvid’s Upper Secondary School. The professional training programme Cirkuspiloterna, which we started as early as 1997, also moves in with us.

With the blessing of the Municipality, we began to invade schools in Botkyrka to reach out to our new neighbours and the local community. Circus artists ad musicians with circus wagons, trucks, and a circus exhibition invade each school one day at a time. They occupy the corridors and classrooms, take over the lessons and let the teachers be an artist on a bed of nails.

International breakthrough

The international breakthrough finally came the same year with the performance Trix. In collaboration with Orionteatern in Stockholm, the director Lars Rudolfsson and the band Urga, we created the performance Trix. After a sold-out season at Orionteatern, we begin our first major world tour. The Trix tour continued for two years, and in 2001, we achieved another dream – to perform at the most famous venue for contemporary circus, Parc de la Villette in Paris.

2002: Circus & High Culture

We break new grounds this year by taking the circus to Sweden's highest cultural spaces: The Nobel Banquette and the Royal Dramatic Theatre.

A national stage belongs to everyone - even a circus from suburbia. We find two challenges in one: to interpret Shakespeare's love tragedy Romeo and Juliet with as little text and as much circus as possible and to reduce the distance between the gilded auditorium at the Royal Dramatic Theatre and the concrete buildings of northern Botkyrka. Pretty soon, actors from the Royal Theatre train with our artists in the circus hall, and we have buses ready to take the schoolchildren from Botkyrka to the premiere. Romeo and Juliet is one of Cirkus Cirkör's and the Royal Dramatic Theatre's greatest cow-pullers. All the performances are sold-out for two seasons, and the production also travels to Vienna for guest performances.

In 2002, we were asked to organise the divertissement at the internationally televised Nobel Banquet at the Stockholm City Hall. Nobel Laureates happily share the applause with balloon men and acrobats and talk about intuition and creativity as the primary sources of their scientific discoveries.

2005: Circus to the Academy

To lobby for Swedish university status for the circus artist education program is not a rapidly resolved challenge. After seven years of work, the Ministry of Education and the Cabinet Office made their final decision. In 2005, Cirkuspiloterna was resurrected as a tertiary programme at the University College of Dance in Stockholm.

After four years of preparatory work and dialogue with the Swedish Arts Council, Stockholm County Council and the municipalities in the Stockholm region, Cirkus Cirkör became a regional artistic institution in 2005. The institutionalisation is topped off with Tilde Björfors receiving Sweden's (and maybe the world's) first professorship in contemporary circus at the University College of Dance.

We've got so much to tell you

Show more

No lions, only acrobats

No lions, only acrobats

Cirkör’s ensembles

Från cirkus till nycirkus till samtida cirkus

Från cirkus till nycirkus till samtida cirkus

Dive deep

Made in Botkyrka

Made in Botkyrka

Cirkör House

Educational visions

Educational visions

Circus for everyone

Our circus world

Our circus world

Performances

Vision & Values

Vision & Values

Cocky Commitment

Cutting-edge circus

Cutting-edge circus

Research & Innovation

All the facts

Show more

We are Cirkus Cirkör

We are Cirkus Cirkör

About us

Cirkör in numbers

Cirkör in numbers

Annual reports

Climate-smart circus

Climate-smart circus

Sustainability work

Trust-pro's

Trust-pro's

Personal data policy

Cookie habits